Eb is the root or tonic, F is the major second, G is the major third, Ab is the perfect fourth, Bb is the perfect fifth, C is the major sixth and D is the major seventh of the major scale. The notes of the E flat major scale are Eb, F, G, Ab, Bb, C and D. My Best Recommendation: Click here for the BEST piano/keyboard course I’ve seen on the Internet. These are notes, 1, 2 and b3 (b stands for flat) of the major scale. This chord is formed by combining the root, flat third and perfect fifth of the major scale. We will learn how to form Ebm chord on piano. We shall use all of them here, interchangeably. There are various ways to represent this chord: Ebm, Ebmin, Eb- (Eb with a minus sign). For example, in our first voicing below there's a major-3rd between the Eb and G, but the rest of the intervals are perfect 4ths.This lesson is all about the E flat minor chord. Using the right diatonic notes is what matters most, moreso than strict adherence to the mathematical interval structure. Starting from the main chord tones on top and extending the chord as I go down just works better for me.Īlso, don't get confused if sometimes we stray slightly from strict fourth intervals. Pro tip: I find it much easier to think about building fourth voicings from the top down, rather than from the bottom up, though that's not a hard and fast rule. Keep with it, the results are worth the effort. This can be a little weird, especially if you have a long history of playing classical music. These voicings have 5 notes and are shown in 4 different inversions. My examples below use the following sequence of notes in 4th intervals to build voicings: 11-7-3-5-1. We can create a more modern jazz sound by using the same notes, but stacked in 4ths instead. Up to this point our voicings have been based around minor chords built by stacking 3rds (1,3,5,7,9,11), and related inversions.
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